He's the butt of some good jokes, but he's so weak-willed and easy to cajole I started feeling bad for bringing him along at all. Like, they're good people and all, just maybe murderers sometimes, but you know, Pandora's a harsh place. It's fun to get them into and out of bad situations (mostly involving insane bandits), and fun to let them be heartless (so-and-so will remember that) when it feels necessary. They're both a bit chaotic and prone to saying and doing whatever'll get an uncomfortable laugh from their friends-at least, that's how I played them-but they're generally good-natured. Not that Tales from the Borderlands needs clever narrative devices at every turn to work. It's a clever bit of writing, but it'll probably only work one more time-if that-now that it's been done. It gets especially entertaining when Fiona tells part of the story Rhys has already told, revealing what was going on behind the scenes while the choices I already made as Rhys play out. When Rhys is screwed out of a promotion and humiliated, he heads to Pandora with his best friend to take revenge on his boss by buying a vault key (one of the most valuable things ever, if you're not familiar with the universe) out from under him, and they cross paths.Īt least in this episode, both of their stories are told as they recount them to a masked captor, disagreeing with each other about the details along the way. Tales of the Borderlands stars two characters: Rhys, an employee of the Hyperion corporation based on the moon above Pandora, and Fiona, a con artist who works with her sister on the planet. If you don't want to know anything about the story, this is the part where you should stop reading anything I'm writing. It's not challenging to any degree, or something I can fully fail-more like a fun activity I invent for myself as I test the characters' wants and limits. If I want two characters to bond, there's a sort of puzzle to it, where I have to read their personalities and the situation and predict how they'll respond to each other. My role feels creative, even when I'm just selecting the joke I want my character to say.
#Tales from the borderlands game pc full episodes 1 2 3 4 5 movie
It'd be flippant to call Tales from the Borderlands an 'interactive movie' because it's not like watching a movie at all. It's a really neatly presented pilot, and you don't have to know much of anything about Borderlands to enjoy it.Īnd whether or not my choices 'matter' (I'll compare my story to someone else's after the next episode, though it feels a bit like ruining a magician's illusion out of spite), it matters to me that I'm making them. It's a little over two hours long, it hits a bunch of locations, it's told from two perspectives, and it introduces four main characters and several side characters. The first episode of Tales from the Borderland also feels much bigger than any of Telltale's previous opening episodes. I like it better than Borderlands, and that's a little uncomfortable. Maybe it wasn't great, either, but it was really, really good. And yet I don't think Tales from the Borderlands was just grolright. There's lots of that in the Borderlands series, but not in Tales from the Borderlands. I like solving puzzles, mastering movement, intuiting ballistics, strategizing-anything where I have to optimize my input to be rewarded with the output I want. More than anything, Tales from the Borderlands values its writing, voice acting, and animation. There's choice, too-I get to pick dialogue and a few actions-but it feels more like pushing a morality needle a little bit in either direction than actually going down a branch in a path. Tales from the Borderlands is a Telltale adventure game in the style of The Walking Dead and The Wolf Among Us: I occasionally walk around clicking on objects for some flavor text, use WASD when prompted to avoid danger, click on guys whose faces I want to smash or shoot, and tap Q repeatedly to do some other stuff. I find it so hard to criticize Telltale's recent adventures because they do so little of what I'm used to valuing in games.
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